
Art Gallery of York University, 2014
6×9.5 in, 300 pp, 120+ col, smyth-sewn softcover
ISBN 978-0-921972-68-6
$40.00
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“Raqs Media Collective’s activity is only partly its products: that is, its artworks. For a collective that developed from documentary film origins and whose name—Raqs—derives from the whirling of dervishes, the “products” are only the articulation of a process. Each is a moment in an overarching scheme—a scheme though that is transversal, not end oriented. And if these products seem to suggest themselves as the last moment, as if the finalization of a design, we are mislead as to their importance. Rather, they are nodal points in a network, temporary on-off switches, whose potential branching set us off on new movements—but also to soundings of new depths.”
(from “Introduction: The Cipher and the Sieve,” by Philip Monk)
This book documents roughly 80 artworks and projects by the Raqs Media Collective that were undertaken from 2002 through 2012. Ranging from full-scale curatorial projects through to individual prints, these projects are documented in aphoristic ‘Annotations’ and iconic images, and are further elucidated with essays from past collaborators, including Svetlana Boym, Kaushik Bhowmik, Alexander Keefe, Anders Kreuger, Molly Nesbit, Hans Ulrich Obrist, Parul Dave Mukherji, Jonathan Watkins, Elena Bernardini, Srinivas Aditya Mopidevi, Cuauhtémoc Medina, Theodor Ringborg, and Cédric Vincent.
Designed by Lisa Kiss, this book is an essential guide to understanding the practice of Raqs Media Collective.
See also:

Raqs: Uncontainable Collections 2023
Interview
7 Apr 2023

Raqs Media Collective: Casebook
monograph
Fall 2017
